Entertainment
From Gears of War to Uno: the 15 most important Xbox 360 games
As the Xbox 360 turns 20, we celebrate its most influential and memorable games – both exclusives, and those that came to the console first
Geometry Wars: Retro Evolved (2005)
Originally featured as a minigame in Project Gotham, this 80s-style twin-stick shooter was rebuilt as a standalone digital-only release, attracting a huge new fanbase. Fast, frenetic and super stylish, with lovely vector visuals, it was the game that first showed the potential of Xbox Live Arcade.

Fast, frenetic and super stylish … Geometry Wars: Retro Evolved. Photograph: Microsoft
The Elder Scrolls IV: Oblivion (2006)

A time-sink of epic proportions… The Elder Scrolls IV: Oblivion (screenshot from the 2025 remake) Photograph: Bethesda Softworks
Tens of millions of hours must have been spent in this foundational text of open-world role-playing games – one of the first video games where you really could go where you wanted and do pretty much as you pleased. Riding around Cyrodiil on horseback, taking in its gleaming city and backwater towns, it was so easy to get drawn into unexpected shenanigans that closing the story’s threatening hell-gates became a distant second priority.
Uno (2006)

The most addictive version of the classic card game… Uno on Xbox 360 Photograph: Carbonated Games/Microsoft
Look – don’t @ us – Uno was one of the most important Xbox 360 games. It was the first game that many people ever played on webcam (for better or for worse), letting you see the expression on an opponent’s face when you played a wild draw four. It was one of the first downloadable multiplayer games that console players could enjoy. It was astonishingly moreish. Many, many times you’d pick up the controller intending on making a dent in Halo or Mass Effect, and instead be drawn into round upon round of late-night online Uno. We still sometimes hear the pleasing sound effects in our dreams.
Viva Piñata (2006)

Darwinian brutality? … Viva Piñata. Photograph: Microsoft
Build a beautiful garden, attract colourful piñata-creatures to reside in it – then watch on as they all eat each other. The Darwinian brutality of Viva Piñata is a surprise in such a family-friendly-looking game, but it’s also just so compulsive. Many a hungover weekend in the 00s were spent trying to tempt bigger and more colourful predators to our lush mini-paradise. Horstachio for ever.
BioShock (2007)
Part dystopian adventure, part exploration of Ayn Rand’s objectivist philosophy, 2K Boston’s masterpiece has you exploring an undersea city built by a crazed billionaire with a fondness for drastic socio-scientific experiments. Would you kindly see the parallels to today’s tech bro oligarchs?

Modern parallels … Bioshock. Photograph: Irrational
Halo 3 (2007)

An endlessly enjoyable shooter… Halo 3 Photograph: Xbox Game Studios
Halo has never again been as good as it was in the original trilogy. This one is a shooter of astonishing scale for its time, the concluding part of gaming’s most maximalist and justifiably self-serious space drama. Where most modern shooters are glorified rollercoaster rides, corridors linked together by triggered set-pieces, Halo is full of intelligent enemies and opportunities for emergent chaos. But what we all remember best is the multiplayer: tanks and Ghost airships and Warthogs all clashing in endlessly entertaining remixes of the same outrageous grand battles. Its Forge map editor and fully customisable game rules made it feel infinitely entertaining.
Mass Effect (2007)

Better than Star Wars?… Mass Effect Photograph: Electronic Arts
BioWare’s vast sci-fi trilogy may not have had an ideal ending, but its mix of interplanetary war and inter-species romance held fans enraptured for a decade, starting with this brilliant first game. Mixing role-playing elements with squad-based combat and a truly timely existential threat (a race of evil sentient spacecrafts), Mass Effect delivered a memorable space-opera story with characters you truly cared about.
Fable II (2008)

Easy to enjoy … Fable II. Photograph: Microsoft
Lionhead’s perfectly British fantasy game is funny, snappy and very easy to enjoy. Perhaps too easy, as it’s over surprisingly quickly – but it has more heart and personality than any other Xbox role-playing game. It’s a mood-lifting fairytale with a heap of good ideas. Also, it has an excellent dog companion – though we may never forgive this game for what happens to it.
Gears of War 2 (2008)

The ultimate testosterone-drenched cover shooter … Gears of War 2. Photograph: Epic Games
Building on the muscular foundations of its predecessor, Gears 2 is the ultimate testosterone-drenched cover shooter, pitching macho marines against alien locust monsters in an orgy of destruction and chainsaw machine guns. Plus, its thrilling Horde mode started a trend for wave-based survival challenges.
Lost Odyssey (2008)

Like a forgotten Final Fantasy… Lost Odyssey Photograph: Mistwalker
For a brief period, Microsoft was really determined to make the Xbox a thing in Japan. The company tempted a series of storied Japanese developers to make exclusive games for the 360. Most of them sank without trace, but Lost Odyssey is a standout in its genre: it’s about what happens to our humanity in the face of technological revolution. Given that it was directed by Hironobu Sakaguchi, a Final Fantasy veteran, it is perhaps unsurprising that it feels like a lost entry in that series.
Ninja Gaiden II (2008)

Choreographed violence… Ninja Gaiden II Photograph: Team NINJA
Before Dark Souls came along, it was Tecmo’s viciously difficult acton adventure that had players either grinding their teeth in frustration or gleefully hacking the limbs off adversaries. Beautifully choreographed combat, interesting locations and a wealth of razor-sharp weapons make this the interactive equivalent of those classic 1980s ninja movies.
Rock Band 2 (2008)

Rock out forever… Rock Band 2 Photograph: Harmonix Music Systems
The ultimate party game, for ever and always. After creating Guitar Hero, Harmonix handed that series over to a different developer and set to work on Rock Band, a peerlessly entertaining music game that had you singing, playing and drumming together on plastic instruments. Rock Band 2 not only had the best setlist, leaning towards milllennial-pleasing pop-punk and classic rock, but also the most frictionless play experience. You could be rocking out in moments, online or, much better, in person with friends.
Limbo (2010)

Unnerving … Limbo. Photograph: TriplePoint
The art game that showcased Xbox Live Arcade as a venue for experimentation, Playdead’s quasi-horror puzzle platformer is an unnerving noir thriller about a boy searching a hellish monochrome world for his lost sister. Selling a million copies in its first year, it proved that there was – and still is – a mass audience for strange, abstruse gaming experiences.
Forza Horizon (2012)

Fresh … Forza Horizon. Photograph: Microsoft
Project Gotham and Forza Motorsport preceded it, but Horizon felt like something fresh: a driving festival offering a range of experiences from circuit races to stunt challenges, all located in an exciting Colorado landscape crammed with enthralling roads and those ever-exciting vintage car barn finds. High-thrills video game tourism.
Trials Evolution (2012)

Insanely tricky… Trials Evolution Photograph: Ubisoft
Upon this game’s release, a huge percentage of the Xbox Live Arcade audience suddenly got really into intricate, physics-based motorbiking trials. Demanding pinpoint controls and nerves of steel, the game remains a challenging treat, with four-player support and an excellent level editor.
Entertainment
Tunisian filmmaker wins $1 million
Tunisian filmmaker Zoubeir Jlassi on Saturday won the inaugural $1 million AI film award, launched in collaboration with Google’s Gemini, for his short movie, “Lily.”
He was declared the winner in a ceremony held during the second day of the 1 Billion Followers Summit in Dubai where Sheikha Latifa bint Mohammed bin Rashid Al-Maktoum, chairperson of the Dubai Culture and Arts Authority, presented the award.
The French-language short film, “Lily,” created entirely using Google’s generative AI tools — including Gemini, Veo 3, Imagen and Flow — was named after the filmmaker’s daughter, who inspired the story.
The nine-minute film follows a lonely archivist haunted by a doll caught on his car bumper during a hit-and-run accident, forcing him to confront his guilt, confess to the police, and reunite the doll with the injured child in the hospital.
“My daughter has a doll, which is also called Lily. This doll lived with us through our moments of grievances, joy, and victories,” Jlassi told Arab News.
He said the film, which took a month to complete, portrays the doll as the protagonist’s silent witness and secretkeeper, ultimately prompting his moral awakening and bringing him back to life. The film’s message, he added, is that routine can dull self-awareness, preventing people from confronting their own truths and taking responsibility for their mistakes.
“With this film, I hope to inspire aspiring filmmakers to dream, take ideas from their archives, execute them and share them on their own platforms without relying on large production budgets or expensive equipment,” he told Arab News.
“This is the beauty of technology; it unleashes creativity without limits.”
The winning film was selected from 3,500 film submissions from 16 countries, with organizers saying the award aimed to encourage the use of AI in producing meaningful films and enhance the creators’ ability to deliver humanitarian stories.
It also looked to empower young people to leverage technology in boosting their creativity and creating artworks that bridge cultures.
The shortlisting process took place over multiple stages. A jury of international technology experts and filmmakers selected 12 films based on the storytelling originality, narrative structure, visual aesthetics, creative use of AI technologies, overall creativity, emotional impact, and adherence to transparency and ethical principles.
The five finalists were selected after public voting of the works selected by the jury, organizers said.
Each film had to be powered by at least 70 percent generative AI tools from Google — including Veo, Imagen and Flow — or third-party platforms that run on Gemini’s technology. The tech company said that the entries underwent advanced technical assessment and AI verification to ensure submissions met the criteria.
The remaining finalists were “Portrait No. 72” by Rodson Verr Suarez of the Philippines; “Cats Like Warmth” by South Korean director Lee Su Yeol; “Heal” by Egyptian director Mohamed Gomaa; and “The Translator” by US-based Pylyp Li.
The top five AI-generated short films were screened on the first day of the 1 Billion Followers Summit, a gathering of content creators aiming to explore how new media can drive positive change and fuel sustainable economic growth.
ME
Entertainment
George Clooney Speaks French at 2026 Golden Globes
George Clooney is testing out the language of his new country while onstage at the Golden Globe Awards.
At the starry 83rd annual ceremony on Jan. 11 at the Beverly Hilton in Los Angeles, Clooney, 64, spoke French onstage before presenting an award. The actor-filmmaker, his wife Amal and their kids Alexander and Ella were recently granted citizenship in France, per a naturalization decree obtained by the French newspaper Journal officiel and viewed by PEOPLE.
“Bonsoir, mes amis,” began the Jay Kelly Golden Globe nominee, wishing his friends in the crowd a good evening. “C’est un honneur d’être ici,” he added (“it’s an honor to be here”).
Joining him in the fun, Don Cheadle emerged for an Ocean’s Eleven reunion, throwing in some French as well by wishing Clooney a good evening with a “bonsoir.” Cheadle, 61, teased his costar in the heist franchise for losing in the Best Performance by a Male Actor in a Motion Picture Comedy category to Marty Supreme star Timothée Chalamet. “We’re all winners here,” said Clooney in protest.
“Not really — you aren’t,” quipped Cheadle.
The two old costars then presented the Globe for Best Motion Picture – Drama, which was won by Chloé Zhao’s Hamnet.
The news of Clooney’s French citizenship drew varied reactions, including from President Donald Trump on Dec. 31. “Good News! George and Amal Clooney, two of the worst political prognosticators of all time, have officially become citizens of France which is, sadly, in the midst of a major crime problem because of their absolutely horrendous handling of immigration, much like we had under Sleepy Joe Biden,” Trump wrote in a Truth Social post.
(The Ticket to Paradise actor then responded in a Jan. 2 statement: “I totally agree with the current president. We have to make America great again. We’ll start in November,” referring to the upcoming midterm elections.)
The French government also weighed in following the citizenship news. “We are delighted, like many French people, to welcome George and Amal Clooney into the national community,” said the French Ministry for Europe and Foreign Affairs in a statement on Dec. 31.
The Clooney clan has lived in France since purchasing an estate there in 2021. “We live on a farm in France,” the Oscar winner said in an October interview with Esquire about family life in Europe. “A good portion of my life growing up was on a farm, and as a kid, I hated the whole idea of it,” said George. But for his 8-year-old kids, “they’re not on their iPads, you know? They have dinner with grown-ups and have to take their dishes in. They have a much better life.”
PEOPLE
Entertainment
Owen Cooper makes Golden Globes history at 16
Owen Cooper just rewrote the Golden Globes record books — and he’s still not old enough to vote.
The Adolescence star won Best Supporting Actor in a Television Series at Sunday night’s Golden Globe Awards, becoming the youngest-ever winner in the category at just 16. According to Variety, the milestone puts Cooper ahead of Chris Colfer, who was 20 when he won for Glee back in 2010.
The victory also makes Cooper the second-youngest male Golden Globe winner of all time, trailing only Ricky Schroder, who was nine when he won New Star of the Year for The Champ in 1980.
If awards momentum had a face this season, it would be Cooper’s.
Earlier this year, the young actor also made Emmy history, becoming the youngest male acting winner ever after taking home the trophy for Outstanding Supporting Actor in a Limited or Anthology Series or Movie — again for Adolescence. The Netflix miniseries marked Cooper’s breakout role, with his portrayal of Jamie Miller earning widespread acclaim.
At the Globes, Cooper beat out a heavyweight lineup that included Ashley Walters (Adolescence), Billy Crudup (The Morning Show), Jason Isaacs (The White Lotus), Tramell Tillman (Severance), and Walton Goggins (The White Lotus).
Adolescence has emerged as one of the season’s most dominant titles. At the Emmys, the series swept major categories, winning Best Limited Series, Best Actor for Stephen Graham, and Best Supporting Actress for Erin Doherty, alongside Cooper’s historic win. He has also picked up the Critics’ Choice Award and the Gotham TV Award, and remains in contention at the SAG Awards.
The show landed five Golden Globe nominations this year, including acting nods for Cooper, Walters, Graham, and Doherty, as well as Best Limited Series — further cementing its status as an awards-season juggernaut.
Notably, the Supporting Actor in Television category spans all genres, from comedy and drama to limited series. Last year’s winner was Shōgun star Tadanobu Asano.
The takeaway? Owen Cooper isn’t just a rising star — he’s already standing where most actors spend decades trying to get.
And he’s only 16.
GN
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